Director: Mike Newell
Starring: Ralph Fiennes, Helena Bonham Carter and Robbie
Coltrane
Runtime: 128 mins
Star rating: 4 (It has been published as 3, but to be honest I found the rating impossible for the adaptation of such a classic- so the rating is pretty immaterial to me)
The canonical household name, Dickens, has developed, or
rather maintained, a warm place in the hearts of the country. The festive
period seems to bring a renewal of these sentiments and we experience an influx
of Dickensian programmes or film adaptions. So do we really need another
version?
Well no, Newell does nothing ground-breaking in adding to
the plethora of adaptations, but it is more than enjoyable nonetheless. This
version updates and modernises the 1946 black and white film, but fails to
shape its own identity.
Most notably, it lacks the tension that should come naturally
to a serialised story.
Unfortunately, as is often the case with profoundly rich novels,
the ending was rushed. The film felt truncated; particularly in Miss Havisham’s
fleeting death, although we are honoured with some unprecedented gore in
exchange for the screen time. Characters are omitted, Pip’s generosity towards
Herbert Pocket largely unexplored, equally his selfishness and ignorance
towards Joe – a heart breaking emotional aspect- is underdeveloped.
The film just wasn’t poignant, emotional or affecting enough.
Cruel Pip was almost absent providing a more pleasant viewing, but one awfully
less moving. Joe and Pip’s relationship was initially too deliberately
emphasised, only to be unforgivingly compromised in the apologetic cowering
away from what should be a morally questioning passage.
Carter offered an assertive, original, and believable performance
in delivering a woman whose obsession with revenge breaks the hearts of our
protagonists. However, she doesn’t instill the fear that Gillian Anderson’s
harrowing depiction did- and that such a disturbing character ought. Despite
this, all of the acting was as good as we might expect from the experienced
cast. Even Pip and Estella’s love story felt convincing and impelling.
In honesty, if this had been more adventurous it would
have been condemned as butchering a literary classic. The foundations of the
novel are all present they just lack the depth of which a series is capable. So
if you’re in want of a Dickensian fix, an enjoyable plot, and consistently
impressive acting, you can happily pass your time viewing this latest
adaptation.
